Kevork Mourad’s ‘Between Floating Worlds’ evokes limbo of migrant life


Razmig Bedirian
  • English
  • Arabic

At the very top, Babel-like towers with cut-out windows twist in ink, casting shadows on the wall behind the cotton fabric. With calligraphic strokes, the towers flow down to form creased textiles. A human eye, a serpent's scales and the feathery wing of an old deity peer out from the inky mass. All is kept together by rope. Someone is carrying this layered bundle, though only the hem of her skirt and her feet are visible. The load is evidently a heavy, burdensome one. Yet, one foot in front of the other, she perseveres.

Most of my work is inspired by migration, whether forced or voluntary, and the area that exists between cultures.

The large, rectangular artwork is titled We take it as we go. The piece is part of Kevork Mourad's solo exhibition Between Floating Worlds at Tabari Artspace, which opens on Tuesday, November 5 at Dubai International Financial Centre. The works are all painted on cotton fabric and feature a minimal amount of colour, if at all. Mourad brought the cotton fragments of his work from New York in a backpack, meticulously layering and framing them in Dubai ahead of the exhibition.

“Most of my work is inspired by migration, whether forced or voluntary, and the area that exists between cultures. With this piece, I was aiming to evoke that sense of trying to decide what to carry with you as you move from one country to the next,” Mourad said of the aforementioned artwork, “the history we carry with us, the strength it gives us and the burden it also imposes.”

Mourad is no stranger to the interzone that exists between cultures. Born in Syria, he went on to study painting and book illustration in Armenia before moving to California in 1999. He now lives in New York.

“Layers are an important component of my work,” he said. “It does best in representing memory, where every layer is a slice of time. Something we carry from where we have been towards where we are going. I wanted each piece to seem whole at first glance. Only upon closer inspection do the layers become more clear.”

Mourad's process is an unconventional one. He begins by smudging ink on to a sheet of transparent acetate. Then, using whatever is at hand – from hotel keycards to tools he fashions himself – he draws calligraphic strokes in the ink. He presses the acetone sheet against a stretched cotton fabric and carefully cuts out the drawings before layering them in their final form, like a puzzle piece. His designs range from Sumerian and Babylonian influences to inspirations derived from Armenian architecture.

Kevork Mourad’s creative process includes smudging ink on to a transparent sheet of acetate, then drawing calligraphic strokes in the liquid and pressing the sheet on to fabric. Tabari Artspace
Kevork Mourad’s creative process includes smudging ink on to a transparent sheet of acetate, then drawing calligraphic strokes in the liquid and pressing the sheet on to fabric. Tabari Artspace

With his technique of spontaneous painting, he has performed, among others, at Brooklyn Museum of Art, Harvard University and Rhode Island School of Design. He was also a member of Yo-Yo Ma's Silk Road Ensemble, a collective of musicians and artists.

"I want the works in this exhibition to give a dreamlike impression. To seem familiar to viewers regardless of where they are from. I hope they reflect what they remember of their home towns or the countries they left behind." Though the nightmarish elements of relocating from one place to the other are alluded to, Mourad said he also aimed to evoke optimism with each piece. "I believe human beings are inherently optimistic, despite the fears and uncertainties that grip us. Why else do we get out of bed every morning? Relocating is hard, no matter the conditions of our departure. Whether we are travelling for work, education or as refugees, we leave behind so much and have to nitpick what we take with us and within us. The grass is not always greener on the other side. But there is always the hope that we are moving to a brighter, more prosperous place."

This is not the first time Mourad is exhibiting his work in the UAE. Earlier this year, he performed at Madinat Theatre in Dubai with the Syrian composer and clarinetist Kinan Azmeh. The hour-long performance A Home Within set his art and Azmeh's music in counterpoint to one another. The audiovisual performance was inspired by the events in Syria. His film Four Acts for Syria, which he co-directed with Waref Abu Quba, has more than 30 of his works in animation. "Syrian history has been multicultural for centuries. This film is a voyage through Syrian culture until today's insanity, trying to find hope for the Syrian people. Art has an important role in uniting people through empathy and understanding," he said. The film was featured in a number of festivals and went on to win the Robert Bosch Stiftung film prize.

Mourad said his technique of spontaneous painting continues to evolve. He hopes to tackle on the problem of climate change in his upcoming work. “Artists should play an active role in the fight against global warming. It is vital we do not become ensnared in our safe zones and actively take part in trying to secure a better, greener future.”

Hili 2: Unesco World Heritage site

The site is part of the Hili archaeological park in Al Ain. Excavations there have proved the existence of the earliest known agricultural communities in modern-day UAE. Some date to the Bronze Age but Hili 2 is an Iron Age site. The Iron Age witnessed the development of the falaj, a network of channels that funnelled water from natural springs in the area. Wells allowed settlements to be established, but falaj meant they could grow and thrive. Unesco, the UN's cultural body, awarded Al Ain's sites - including Hili 2 - world heritage status in 2011. Now the most recent dig at the site has revealed even more about the skilled people that lived and worked there.

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Recipe

Garlicky shrimp in olive oil
Gambas Al Ajillo

Preparation time: 5 to 10 minutes

Cooking time: 5 minutes

Serves 4

Ingredients

180ml extra virgin olive oil; 4 to 5 large cloves of garlic, minced or pureed (or 3 to 4 garlic scapes, roughly chopped); 1 or 2 small hot red chillies, dried (or ¼ teaspoon dried red chilli flakes); 400g raw prawns, deveined, heads removed and tails left intact; a generous splash of sweet chilli vinegar; sea salt flakes for seasoning; a small handful of fresh flat-leaf parsley, roughly chopped

Method

Heat the oil in a terracotta dish or frying pan. Once the oil is sizzling hot, add the garlic and chilli, stirring continuously for about 10 seconds until golden and aromatic.

Add a splash of sweet chilli vinegar and as it vigorously simmers, releasing perfumed aromas, add the prawns and cook, stirring a few times.

Once the prawns turn pink, after 1 or 2 minutes of cooking,  remove from the heat and season with sea salt flakes.

Once the prawns are cool enough to eat, scatter with parsley and serve with small forks or toothpicks as the perfect sharing starter. Finish off with crusty bread to soak up all that flavour-infused olive oil.

 

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• Founded in 2014, Telr is a payment aggregator and gateway with an office in Silicon Oasis. It’s e-commerce entry plan costs Dh349 monthly (plus VAT). QR codes direct customers to an online payment page and merchants can generate payments through messaging apps.

• Business Bay’s Pallapay claims 40,000-plus active merchants who can invoice customers and receive payment by card. Fees range from 1.99 per cent plus Dh1 per transaction depending on payment method and location, such as online or via UAE mobile.

• Tap started in May 2013 in Kuwait, allowing Middle East businesses to bill, accept, receive and make payments online “easier, faster and smoother” via goSell and goCollect. It supports more than 10,000 merchants. Monthly fees range from US$65-100, plus card charges of 2.75-3.75 per cent and Dh1.2 per sale.

2checkout’s “all-in-one payment gateway and merchant account” accepts payments in 200-plus markets for 2.4-3.9 per cent, plus a Dh1.2-Dh1.8 currency conversion charge. The US provider processes online shop and mobile transactions and has 17,000-plus active digital commerce users.

• PayPal is probably the best-known online goods payment method - usually used for eBay purchases -  but can be used to receive funds, providing everyone’s signed up. Costs from 2.9 per cent plus Dh1.2 per transaction.

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MATCH INFO

Qalandars 112-4 (10 ovs)

Banton 53 no

Northern Warriors 46 all out (9 ovs)

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Qalandars win by six wickets

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How to watch Ireland v Pakistan in UAE

When: The one-off Test starts on Friday, May 11
What time: Each day’s play is scheduled to start at 2pm UAE time.
TV: The match will be broadcast on OSN Sports Cricket HD. Subscribers to the channel can also stream the action live on OSN Play.

Some of Darwish's last words

"They see their tomorrows slipping out of their reach. And though it seems to them that everything outside this reality is heaven, yet they do not want to go to that heaven. They stay, because they are afflicted with hope." - Mahmoud Darwish, to attendees of the Palestine Festival of Literature, 2008

His life in brief: Born in a village near Galilee, he lived in exile for most of his life and started writing poetry after high school. He was arrested several times by Israel for what were deemed to be inciteful poems. Most of his work focused on the love and yearning for his homeland, and he was regarded the Palestinian poet of resistance. Over the course of his life, he published more than 30 poetry collections and books of prose, with his work translated into more than 20 languages. Many of his poems were set to music by Arab composers, most significantly Marcel Khalife. Darwish died on August 9, 2008 after undergoing heart surgery in the United States. He was later buried in Ramallah where a shrine was erected in his honour.

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