A formative moment in Gad Elmaleh’s comedy career arrived as a child in the family home in Casablanca.
After watching a romantic film, he turned to his parents and told them he loved them. Elmaleh recalls how his mother’s reaction didn’t go according to script: “she just looked at me and said, ‘what do you think this is, a French movie?’”.
Speaking to The National ahead of Friday’s show at Etihad Arena – part of Abu Dhabi Comedy Season – the Moroccan-born French comedian, 54, describes the exchange as the essence of Moroccan humour – zippy and often used to deflect unexpected emotion or introspection.
“We come from a culture where real communication rarely exists. Sitting down and talking about everything just doesn’t happen. So to say real things, we go through humour. It’s how speak,” he says. “Sometimes when I was a kid, if someone was angry, it would come out as a joke. If you wanted to say something to a girl, or talk about feelings, you’d tease or make a funny comment. Humour is our filter. It’s how we manage awkwardness.”
The instinctive approach served him well. After moving to France in his late teens, Elmaleh hit the open mic circuit in Paris, where his quirky, autobiographical style gained traction and made him one of France’s biggest international comedy exports.
With television specials in both French and English, Elmaleh built a career on both sides of the Atlantic, supporting the likes of Jerry Seinfeld in the US and lending his voice to animated films including the French dub of Despicable Me, where he voiced Gru, and A Monster in Paris, voicing the character Raoul.
That progression was aided by the indirect mentorship of Seinfeld.
“For me, as a beginner in English, it was such a great opportunity to go on stage in front of an American audience every single night, do my 15 minutes as an opener, and then stay backstage watching him do stand-up. It was a masterclass for me,” he says. “He didn’t always give me specific advice, but I learnt something every day just by being around him. We still talk all the time. We laugh. He’s obsessed with comedy, and so am I.”
That road to Paris and Hollywood, is also rooted in childhood experiences from his homeland. Elmaleh continues to make regular visits to Morocco, where he draws inspiration from everyday interactions.
“This is where my comedy DNA is,” he says. “I’ll give you an example: I was back in Morocco not long ago, spending time in Casablanca with a comedian friend. We were just walking the streets, watching people interact, and I told her, ‘Is everyone here a comedian? What’s going on?’”
“Every person we met had a way of saying something important without making it uncomfortable. They would tease, laugh at themselves. It wasn’t a performance – it was just daily communication.”
It’s a form also absorbed from his father, an amateur mime, whose movements inspired some of the nervy mannerisms in Elmaleh’s performance.
He recounts the memory, naturally, with a touch of Moroccan wit. “I don’t really remember my dad teaching me anything. But I saw him perform. I copied him. It just became natural,” he says. “Today when I’m on stage, it’s physical, it’s facial, it’s slapstick and that’s all from him. Now, of course, my father says the only reason he didn’t become an international star was because he didn’t want to take all the light away from me. He’s lying.”
His Abu Dhabi set, performed in French, will draw on some of his personal experiences shaped by navigating cultures, traditions and languages. All of this makes Abu Dhabi a fitting setting for a show that speaks to its diverse Francophone communities.
“The fact that I’m coming to Abu Dhabi is already material,” Elmaleh says. “A French-language show in the Emirates, with people from everywhere, is funny before I even start talking. They speak the same language, but not the same culture. That’s what makes it interesting. You’ve got French speakers from Morocco, Lebanon, Switzerland and Belgium, each with their own references and sense of humour. It’s a mix of people who understand the words but not always in the same way. I like that complexity. It keeps me on my toes.”
It’s also the kind of laughter people need in a time of growing social polarisation, Elmaleh says, noting how stand-up’s resurgence is fuelled by its perception as a rare space for unfiltered truths. “Everything right now feels tense,” he says. “But comedy is a place where we can breathe. It’s a place where you can say things, explore contradictions, and still connect.”
Gad Elmaleh performs at Etihad Arena, Abu Dhabi, on Friday. Doors open at 6.30pm; tickets start from Dh395
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The burning issue
The internal combustion engine is facing a watershed moment – major manufacturer Volvo is to stop producing petroleum-powered vehicles by 2021 and countries in Europe, including the UK, have vowed to ban their sale before 2040. The National takes a look at the story of one of the most successful technologies of the last 100 years and how it has impacted life in the UAE.
Read part four: an affection for classic cars lives on
Read part three: the age of the electric vehicle begins
Read part one: how cars came to the UAE
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Zayed Sustainability Prize
Explainer: Tanween Design Programme
Non-profit arts studio Tashkeel launched this annual initiative with the intention of supporting budding designers in the UAE. This year, three talents were chosen from hundreds of applicants to be a part of the sixth creative development programme. These are architect Abdulla Al Mulla, interior designer Lana El Samman and graphic designer Yara Habib.
The trio have been guided by experts from the industry over the course of nine months, as they developed their own products that merge their unique styles with traditional elements of Emirati design. This includes laboratory sessions, experimental and collaborative practice, investigation of new business models and evaluation.
It is led by British contemporary design project specialist Helen Voce and mentor Kevin Badni, and offers participants access to experts from across the world, including the likes of UK designer Gareth Neal and multidisciplinary designer and entrepreneur, Sheikh Salem Al Qassimi.
The final pieces are being revealed in a worldwide limited-edition release on the first day of Downtown Designs at Dubai Design Week 2019. Tashkeel will be at stand E31 at the exhibition.
Lisa Ball-Lechgar, deputy director of Tashkeel, said: “The diversity and calibre of the applicants this year … is reflective of the dynamic change that the UAE art and design industry is witnessing, with young creators resolute in making their bold design ideas a reality.”
Your Guide to the Home
- Level 1 has a valet service if you choose not to park in the basement level. This level houses all the kitchenware, including covetable brand French Bull, along with a wide array of outdoor furnishings, lamps and lighting solutions, textiles like curtains, towels, cushions and bedding, and plenty of other home accessories.
- Level 2 features curated inspiration zones and solutions for bedrooms, living rooms and dining spaces. This is also where you’d go to customise your sofas and beds, and pick and choose from more than a dozen mattress options.
- Level 3 features The Home’s “man cave” set-up and a display of industrial and rustic furnishings. This level also has a mother’s room, a play area for children with staff to watch over the kids, furniture for nurseries and children’s rooms, and the store’s design studio.
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RESULTS
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Countdown to Zero exhibition will show how disease can be beaten
Countdown to Zero: Defeating Disease, an international multimedia exhibition created by the American Museum of National History in collaboration with The Carter Center, will open in Abu Dhabi a month before Reaching the Last Mile.
Opening on October 15 and running until November 15, the free exhibition opens at The Galleria mall on Al Maryah Island, and has already been seen at the Jimmy Carter Presidential Library and Museum in Atlanta, the American Museum of Natural History in New York, and the London School of Hygiene and Tropical Medicine.
MOUNTAINHEAD REVIEW
Starring: Ramy Youssef, Steve Carell, Jason Schwartzman
Director: Jesse Armstrong
Rating: 3.5/5
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The five pillars of Islam
Name: Brendalle Belaza
From: Crossing Rubber, Philippines
Arrived in the UAE: 2007
Favourite place in Abu Dhabi: NYUAD campus
Favourite photography style: Street photography
Favourite book: Harry Potter
COMPANY%20PROFILE
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In-demand jobs and monthly salaries
- Technology expert in robotics and automation: Dh20,000 to Dh40,000
- Energy engineer: Dh25,000 to Dh30,000
- Production engineer: Dh30,000 to Dh40,000
- Data-driven supply chain management professional: Dh30,000 to Dh50,000
- HR leader: Dh40,000 to Dh60,000
- Engineering leader: Dh30,000 to Dh55,000
- Project manager: Dh55,000 to Dh65,000
- Senior reservoir engineer: Dh40,000 to Dh55,000
- Senior drilling engineer: Dh38,000 to Dh46,000
- Senior process engineer: Dh28,000 to Dh38,000
- Senior maintenance engineer: Dh22,000 to Dh34,000
- Field engineer: Dh6,500 to Dh7,500
- Field supervisor: Dh9,000 to Dh12,000
- Field operator: Dh5,000 to Dh7,000
Killing of Qassem Suleimani
Nick's journey in numbers
Countries so far: 85
Flights: 149
Steps: 3.78 million
Calories: 220,000
Floors climbed: 2,000
Donations: GPB37,300
Prostate checks: 5
Blisters: 15
Bumps on the head: 2
Dog bites: 1
Killing of Qassem Suleimani
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Defence review at a glance
• Increase defence spending to 2.5% of GDP by 2027 but given “turbulent times it may be necessary to go faster”
• Prioritise a shift towards working with AI and autonomous systems
• Invest in the resilience of military space systems.
• Number of active reserves should be increased by 20%
• More F-35 fighter jets required in the next decade
• New “hybrid Navy” with AUKUS submarines and autonomous vessels
KILLING OF QASSEM SULEIMANI
MATCH INFO
Uefa Champions League, semi-final result:
Liverpool 4-0 Barcelona
Liverpool win 4-3 on aggregate
Champions Legaue final: June 1, Madrid
Company%20Profile
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88 Video's most popular rentals
Avengers 3: Infinity War: an American superhero film released in 2018 and based on the Marvel Comics story.
Sholay: a 1975 Indian action-adventure film. It follows the adventures of two criminals hired by police to catch a vagabond. The film was panned on release but is now considered a classic.
Lucifer: is a 2019 Malayalam-language action film. It dives into the gritty world of Kerala’s politics and has become one of the highest-grossing Malayalam films of all time.
COMPANY%20PROFILE%20
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Blackpink World Tour [Born Pink] In Cinemas
Starring: Rose, Jisoo, Jennie, Lisa
Directors: Min Geun, Oh Yoon-Dong
Rating: 3/5
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